Yablonsky Music Institute
in cooperation with Note di Talento
in Brescia, Italy

"…Yablonskaya's musicality never gives way to merely exploiting the music for its own glory. If tastefulness and stylistic insight mean anything to you, you will thoroughly enjoy listening to Oxana Yablonskaya."

"An orchestra is superfluous for ‘Pictures at an Exhibition' when there is a pianist of Yablonskaya’s powers to paint them in such indelible colors. A thoroughly excited audience lingered for four encores."

Los Angeles Times

"…Yablonskaya is a mixture of passion, power and poetry, and in the course of one concert, put herself, her piano and the audience through everything that could be expected of a piano recital."

Toronto Star

"…An imposing figure at the piano, Yablonskaya goes for the large gesture rather than for subtle detail, and thus we had heard hard driving, percussive performances, which developed an enormous amount of visceral excitement and left no doubt that Yablonskaya is in complete command of the total resources of the keyboard."

Monterey County Symphony

"…A large audience welcomed her back to Chicago, and her program revealed a technique as impressive as ever, as well as a temperament equally at home in the simple elegance of a Mozart rondo and the thundering chords of a Scriabin etude. Being perfectly able to manipulate the keyboard however she wants, Yablonskaya knows when to take risks and when to pull back and let the music speak for itself.

In the two major pieces, the Beethoven Sonata in D Minor, Op.31, both dramatic, emotional works – Yablonskaya’s bold originality surfaced. She took full liberty with the experiments in contrasting rhythm and dynamics in the first movement of the Beethoven. She lingered over the slow introductory bars whenever they returned, letting each rising tone build and echo before plunging into the short, answering flurry of notes.

In the famous Marche Funebre of the Chopin sonata, she emphasized the bass melody’s relentless nature rather than its overpowering volume. In the Sonata’s opening movement, she gave this almost chaotic music coherence by highlighting the return of early motifs. She made sure we heard a rumble of octaves under a singing melody and the harmonic twists that helped reinforce the shape of this hectic, headlong movement.

Yablonskaya’s sheer technical prowess was on the most vivid display in six Scriabin etudes from Op. 8, exercisers composed in imitation of Chopin’s etudes. But as the Mozart Rondo K.511 and the Chopin Noturne Op. 9, No. 1 and Scherzo Op. 31, No. 2 revealed, she also can weave a lyrically meditative melody."

Chicago Sun-Times

Oxana Yablonskaya’s charismatic piano playing and profound interpretations have brought her acclaim for over thirty years. Known for her powerhouse virtuosity, exquisite sensitivity, and deep emotional drive, Ms. Yablonskaya has enchanted audiences world-wide.

Oxana Yablonskaya was born in Moscow. As an adolescent she attended The Moscow Central School for the Gifted under the tutelage of great Anaida Sumbatyan, with whom she worked with until the age of 16. She later studied at the Conservatory of Moscow with the legendary Aleksandre Goldenweiser. At 22, she began a professional relationship with Tatiana Nikolayeva in the Doctorate Program, later acting as her assistant at the Moscow Conservatory. Following graduation with high honors, she was introduced to the Western World in Paris at the Jacques Long-Thibaud Competition in 1963, the Rio de Janeiro Competition in 1965, and the Vienna Beethoven Competition in 1969. She won top prizes in all three competitions, and received numerous invitations for return engagements, but because of the Cold War, was not allowed to do so.

While still in the USSR, Ms. Yablonskaya performed Shostakovich’s Piano Concerto #1 with the Moscow Philharmonic under conductor Yury Simonov at the Composers Jubilee Concert in the Kremlin. She was the first performer to play Rodion Shchedrin’s “Basso Ostinato,” which became her signature piece. Her status as a consummate professional was heightened by many prominent Soviet and foreign composers dedicating their music to her.

Despite the reputation she had earned within the Soviet Union and being a prize winner of three international competitions, she was never permitted to play outside the Eastern Bloc. . Yet, she recorded for the Melodya label and had earned the prestigious title of Soloist of the Moscow Philharmonic. The title put her in the company of elite artists such as Gilels, Richter, Rostropovich, Oistrakh and Kogan. Outstanding solo performances with the Bolshoi Orchestra, the Moscow Stars series, and the Shostakovich 65^th Birthday Celebration Concert were confirmations of her remarkable talent.

In 1975, distressed over constant restraints on her personal and artistic freedom, she applied for a U.S. visa. Her actions resulted in a loss of her position as a professor at the Moscow Conservatory. She inherently was deprived of all concert engagements. She waited more than two years for a visa and finally, she was allowed to leave the country with her father and young son due to the diligence and petitioning by Leonard Bernstein, Stephen Sondheim, Richard Rodgers, Katherine Hepburn, Bar Ilan, and over 45 famous writers, musicians, senators, and actors.

Ms. Yablonskaya arrived in New York in 1977, unknown, unheralded, and not having touched a piano in more than two years. She made her first New York appearance in a recital at the Alice Tully Hall in Lincoln Center only four months later, and received laudatory acclaim from the press. Her Carnegie Hall debut recital the following October was attended by a capacity crowd, and she has since taken her place among the major pianists of the world.

Once considered ‘The best kept secret of the Soviet Union,’ Ms. Yablonskaya has now performed in more than 40 countries.

Following her triumph at her London recital debut in the Queen Elizabeth Hall in 1982, the Daily Telegraph wrote: “Yablonskaya is the sort of pianist who accomplishes with ease and naturalness what others struggle for a lifetime to achieve.” In 1986, following her Canadian performance with the National Symphony under conductor Mstislav Rostropovich, a music critic of the Toronto Star wrote, “She played Rachmaninoff’s 3^rd as if it was written for her.”

Ms. Yablonskaya has emerged as one of the most compelling talents of her generation. She has performed with many of the finest symphony orchestras in the world and with many of the leading conductors of our time. An extraordinary recitalist, she is equally renowned for solo performances. In addition to Carnegie Hall and Lincoln Center, she has performed in the Royal Albert Hall and Wigmore Hall in London, Teatro Colon in Buenos Aires, Suntory Hall in Tokyo, Orchestra Hall in Chicago, Royal Concergebouw in Amsterdam, Great Hall of Moscow Conservatory, Great Hall of St. Petersburgh Philharmonic, Queen Elizabeth Hall in London, Sheldonyan Theatre and Holywell Music Room in Oxford, England, Magador Theatre and Champs Elysees Hall in Paris ,Opera House in Sidney,Municipal Theatre in Rio De Janeiro,Seoul Arts Center,Shanghai Arts Center, Royal Thompson Hall in Toronto,92 street Y in New York,Osaka Arts Center and many more.

Ms. Yablonskaya has collaborated in performances with such celebrated conductors as:
Alexander Dmitriev, Alexander Anissimov, Yury Aronovitch, Rudolf Barshai, Herbert Bloomstaadt, Boris Brott, Abraham Chavez, Sergiu Comissiona, Franz Paul Decker, Lawrence Foster, Youosh Forst, Pierro Gamba, Fedor Gluschenko, Inbal, Arnold Katz, Anton Kersies, Dmitry Kitaenko, Eric Klaas, Kirill Kondrashin,Uri Maier, Fuat Mansurov, Nathan Rakhlin, Mstislav Rostropovitch, Gennady Rozhdestvensky, Stanislaw Skrowachevsky, Pavel Sorokin, Yevgeny Svetlanov, Yuly Turowsky, Victor Yampolsky and many others.

In 1990, after a 13 year absence, Ms. Yablonskaya returned to Russia for a sold-out concert, master classes and recitals at the Moscow Conservatory. Since then she has returned on a regular basis and is once more recognized as an elite piano virtuoso in Russia.

In recent years, Ms. Yablonskaya has collaborated with her son, renowned cellist/conductor,2007 Grammy Award Nomineee Dmitry Yablonsky. Their concerts have enjoyed vast public and critical acclaim. The New York Times called their Carnegie Hall debut, “A vibrant dialog.” Their recordings together include duo performances for cello and piano as well as Khachaturian and Glasunov piano concertos recorded with the Moscow Symphony Orchestra, Tchaikovsky, Rachmaninoff, Prokofieff, Brahms , Liszt 1st concertos and Chopin 1st and 2nd Concertos with Moscow Philharmonic Orchestra.

In addition to her success as a concert pianist and recording artist, Ms. Yablonskaya has held the position of Professor of Piano at The Julliard School in New York City. She has lectured numerous master classes at many distinguished music schools, academies, conservatories and festivals throughout the world such as Newport and Bowdin in USA, Flaine and Tours in France, Lago Maggiore in Switzerland, Oxford Philomusica in England. Dr.Yablonskaya is a Co- Founder of Puigcerda Musica Clasica International Festival in Spain since 1998, Gabala International Music Festival in Azerbaijan.

Ms. Yablonskaya made numerous editions of piano music by Cimarosa, Tchaikovsky, Lyadov, Balakirev, Gluck, Glinka and others for International Music Company and currently continues her collaboration with this prestigious music publishing company.

Ms. Yablonskaya also serves on the jury of many international piano competitions such as Leeds in England, Franz Liszt in the Netherlands, Prokofiev in St.Petersburg, Russia, Hamamatsu in Japan, competitions in Taiwan, Andorra, at the Seiler International Piano Competition and Vladimir Horowitz International Piano Competition, Piano E-Competition in Minneapolis, Minn. Jose Iturbi in Valencia, Parnassos in Monterrey, Mexico as well as Sendai Competition in Japan and Beethoven Competition in Bonn,Jose Iturbi in Los Angeles, Lev Vlassenko in Brisbane,Grieg in Oslo and Bergen, Shanghai Competition among others.

Among her numerous recordings, Ms.Yablonskaya’s Liszt/Schubert CD won the Grand Prix du Disque from the International Liszt Society in Budapest. In the December 1995 review of her Tchaikovsky CD, the American Record Guide wrote, “Oxana Yablonskaya is an artist who deserves to be heard and in any repertory she chooses.”

In March of 2006 Ms. Yablonskaya performed inaugural "Sold Out" recital in Carnegie Zankel Hall in New York marking the Founding of Chopin Society of New York of which she was appointed Vice -President and Music Director.

The 6 concert tour of France with a "Sold Out" concert in Paris's historical Magador Theatre followed immediately after, where Oxana Yablonskaya performed Rachmaninoff 3rd Piano Concerto with Orchestre National D'Ille de France.
After magnificent performance at Magador Theatre French critic Cyril Brun called Yablonskaya "Grand Tsarina of Russian piano who in an instant opened for us the whole Imperial Russia."

On December 15^th of 2006 another “Sold Out “ “Oxana Yablonskaya and Friends “ event took place at Carnegie Zankel Hall , where Oxana and Dmitry Yablonsky performed Chopin’s Cello Sonata and Grand Polonaise and received standing ovations. Composer Lowell Liberman wrote after attending this concert:” Profound performance of this Sonata will stay in my memory for a long time”.

During this concert surprise ceremony took place – Oxana Yablonskaya was presented with a title of Honorary Academician of International Academy of the Arts at the United Nations, International Academy of the Arts in San Francisco and International Independent Academy of Liberal Arts in Moscow, Diplomas and Einstein Gold Medal for extraordinary achievements in the Arts.

In October of 2008 Oxana Yablonskaya Piano Institute opened it’s doors in Castelnuovo di Garfagnana in Tuscany, Italy. The 2008 was marked by a 70^th Birthday Jubilee Celebration of Oxana and all year she has been performing starting in Italy with New Years Day recital in Catania, then in Israel she performed Tchaikovsky 1^st concerto four times, Grieg concerto in Turkey, solo recital in Tuscany and Master Classes in Hamamatsu Academy, Japan, judging Liszt Competition in Utrecht, Jose Iturbi in Los Angeles,E-Piano Competition in Minneapolis, teaching in Spain, solo recital at MTNA in Los Angeles, Master Classes and chamber music concert in Nice, recording of Tchaikovsky “Seasons” and”Album for the Young”.

Two concerts on November 29^th and December 1^st were televised on National TV in Taiwan – Oxana performed Shostakovich 1^st Concerto with National Symphony Orchestra in Taipei and Taichung. The Grand conclusion of year long celebration took place on December 11^th with the Jubilee "Sold Out" Concert at Carnegie Zankel Hall in New York where Oxana Yablonskaya performed Beethoven 4^th,Chopin 2^nd and Shostakovich 1^st concerti and received standing ovation.

In 2009 ,2011,2013,2016 Mme. Yablonskaya Presided at the International Piano Competitions in Qabala, Azerbaijan and performed with Royal Philharmonic Orchestra Beethoven “Emperor” concerto#5.

In 2014 Professor Oxana Yablonskaya and her husband piano builder/technician Alexander Volchonok made a very significant move in their life - made alia to Israel. From October 2016 Dr. Yablonskaya was invited to teach at the Jerusalem Academy of Music and Dance. Her 80th Jubilee Celebration Concert took place on December 6th 2018 at the Henry Krown auditorium in Jerusalem Theatre where she performed three piano concerti under the direction of her son Mo. Dmitry Yablonsky.
Mme. Yablonskaya will judge Sendai International Piano Competition in 2019.

Dmitry Yablonsky was born in Moscow into a musical family. At a very early age he showed musical talent and at 6 was accepted at Central Music School for Gifted children already having an absolute pitch. Cello became his instrument and at 9 he played Haydn C major cello concerto with Gennady Provatorov conducting.

During these few years before immigration Dmitry has performed in many cities of the former Soviet Union. In 1975 his mother a famed pianist Oxana Yablonskaya applied for a visa to leave the Soviet Union and was denied. For more than 2 years authorities did not let the family leave. With then help of many people and including signatures of artists as Catherine Hepburn, Leonard Bernstein, Stephen King and many others, visa was finally issued. Upon arriving in New York City, in June 1977, Dmitry auditioned for Juilliard School of Music and was accepted.

After Juilliard he went to Curtis Institute of Music and then spent 4 years in Yale University.

In 1979 he was invited to participate in the Marlboro Music festival where he was the young participant.
Dmitry’s cello teachers have been: Isaak Buravsky, Aldo Parisot, Zara Nelsova, Lorne Munroe, David Soyer, not to mention lessons and master classes with Misha Shneider, Mstislav Rostropovich, Andre Navarra, Maurice Gendron, Janos Starker and many others. In Yale Dmitry took conducting class with Otto Werner Muller, who is considered one of the most influential conducting teachers in USA.

He also studied conducting with Yuri Simonov and Gennady Rojdenstvensky. Dmitry Yablonsky has performed in halls as: La Scala, Carnegie Hall, Moscow Grand Hall, St. Petersburg Philharmonic, Taiwan National Hall, Codagan Hall, Cite de la Musique, Madrid Auditorium, Champs Elysees Theatre, just to name a few.

Dmitry started to conduct in 1989 in Camerino, Italy and since then has been very active as conductor as well. He has collaborated with orchestras such as: Vienna Chamber Orchestra, Moscow Virtuosi, Moscow Soloists, Royal Philharmonic Orchestra, De Filarmonie, Russian State Orchestra, Moscow Philharmonic Orchestra, St. Petersburg Symphony Orchestra, Jerusalem Symphony Orchestra, Israeli Opera Orchestra Richon LeZion, Tenerife Orchestra, Lamoureux Orchestra, Orchestra National d’Ile de France, Belgian National orchestra, OFUNAM orchestra in Mexico Israel Philharmonic Orchestra and many more.

Dmitry Yablonsky is Chief Conductor of Kyev Virtuosi and since 2016 Chief Conductor and Artistic Director of Kyiv Virtuosi Symphony Orchestra, which play from Vivaldi to Mahler symphonies. Dmitry Yablonsky and Kyiv Virtuosi started to record for the Naxos label and future releases include: Shostakovich Chamber symphonies, Valentin Silvestrov, Pleyel and Hofmann cello concertos, Italian Areas with Azer Zada, Dvorak cello concertos and much more. Dmitry Yablonsky has collaborated with musicians as: Monserrat Caballe, Olga Borodina, Eldar Abdrazakov, Leif Ove Andsnes, Yuri Bashmet, Boris Berezovsky, Roberto Alagna, Krzysztof Penderecki, Dmitry Kitayenko, Vadim Repin and many more.

He has been very active in organizing music festivals all over the world and in 2009 together with Pianist Farhad Badalbeyli organized a large scale festival in Gabala, Azerbaijan, where many world name orchestras and musicians come to share musical experience. Wandering Stars festival in Israel. He has made more than 90 CDs for Naxos, Chandos and Warner/Erato labels. He is Grammy Nominee, Honorary Academician of the Independent Academy of Liberal Arts at the Russian Academy of Sciences, Artistic Personality of Azerbaijan, Professor at the Buchmann-Mehta School of Music at Tel Aviv University and the Head of International Relations.

Highlights of 2022-2023 season are:
Kyiv Virtuosi Orchestra is in residence in Chieti, Italy in a beautiful Theatre Maruccino, Kyiv Virtuosi tour to Israel, March 2023, Kyiv Virtuosi Tour to South America May 2023. Film of all 6 Bach suites for Naxos, October 2022, concerts in USA, Italy, Spain, Switzerland just to name a few.

For his cello concerts he uses Matteo Goffriller and Joseph fillius Andrea Guarneri.

Janna Gandelman was born in Kishinev, Moldavia. At the age of 5 she started to play violin taking lessons with Professor Weiner. Already at a very young age she has won numerous competitions still in the Soviet Union, National Violin Competition, Stoliarsky School Competition, International competition of USSR and Auer Competition.

After immigration to Israel in 1979 she has continued her studies with legendary violin pedagogue, Professor Bondarenko, who was David Oistrach's assistant. Also in 1979 Janna was accepted to be a part of the most famous cultural foundations in the world, American-Israel Cultural Foundation, which promoted and still to this day promotes many prestigious cultural projects. As a member of this foundation, Janna Gandelman has performed in many countries around the world. During her studies in Tel Aviv Music Academy with Professor Kless, Janna has won many competitions as: Clearmonunt and Shapira in Israel, Lipitzer in Italy, Atlanta competition, just to name a few.

Janna Gandelman has been a member of many great music ensembles of Israel, which include: Musica Nova, Caprizma, 21 century, Concertmeister of Israel Camerata and many more. As a soloist she has performed with many great conductors, Garry Bertini, Asher Fish, Mendi Rodan and many more. Janna has also been a concertmeister of Flemish Chamber orchestra.

Being a very active chamber musician, she has performed with musicians as: Gidon Kremer, Isaak Stern, Eliso Versaladze, Sol Gabetta and many more, participating in worlds most prestigious festivals as Bloomington, Schleswig-Holstein, Israel, Jerusalem Chamber music Festival. She has recorded Kara Karaev violin concerto for the Naxos label, which was written for Leonid Kogan.

Janna Gandelman has given master classes all over the world including: Russia, Argentina, Brazil, Norway and a special project in Israel called Polyphony, which brings Arab and Jewish students together through music.

Janna Gandelman is concertmeister of Jerusalem Symphony Orchestra and teaches at Jerusalem Conservatory Ha Sadna and Nazareth Conservatory, which is a project of Daniel Barenboim. She is a professor of the Buchman-Mehta School of Music at Tel Aviv University.

Janna plays on J.B. Guadagnini violin loaned generously by the Yehuda Zisapel Foundation.

After completing his studies at the Joaquín Rodrigo Conservatories in Valencia and the Royal Conservatory of Madrid, he continued his musical training at the Volkswang Hochschule in Detmold with Prof. Helmann Jung, at the Richard Strauss Konservatorium in Munich with Marco Postinghel, and at the Volkswang Hochschule in Essen with David Tomás.

He has been a member of youth orchestras such as those of the Valencian Community, the National Youth Orchestra of Spain, the Gustav Mahler Jugendorchester, and the Bach Akademie in Stuttgart.

In the professional field he has collaborated with various orchestras, including the Municipal Orchestra of Valencia, the Madrid Symphony Orchestra, the Barcelona Symphony Orchestra, the Granada City Orchestra, the Galicia Symphony Orchestra, the Deutsche Kammerphilharmonie de Bremen, the Arturo Toscanini de Roma, the Malaysian Philharmonic Orchestra and the Symphonieorchester des Bayerischen Rundfunks, among others, under the batons of Kirill Petrenko, Pierre Boulez, Bernard Haitink, Lorin Mazel, Jesús López Cobos, Fabio Luisi, Riccardo Muti, Gustavo Dudamel, Helmut Rilling...

Since 2001 he has been a member of the orchestra of the Gran Teatro del Liceo in Barcelona.

Classical and contemporary double bassist, holding a Bachelor's degree in Instrument Pedagogy (specializing in Double Bass) from the Liceu Conservatory of Music in Barcelona and she received instruction in Munich under the tutelage of Professor Nabil Shehata. She currently serves as the principal double bassist of the Sant Cugat Symphony Orchestra and the Kamerata Castellar orchestra.

Over the past twenty years, she has collaborated with numerous symphony orchestras, including the Barcelona Symphony Orchestra and National Orchestra of Catalonia, the Vallès Symphony Orchestra, the Philharmonie der Nationen in Germany, the Barcelona Municipal Band, the Symphony Orchestra of Castilla y León, and the GIO Symphonia, among many others. As a double bassist, she has been involved in contemporary music projects at the Sampler Series Festival, as well as numerous educational, chamber, theatrical, and musical theatre initiatives. Her participation has graced festivals such as Primavera Sound, Sònar, Cruïlla, and the Peralada Festival.

She has been an educator for over twenty years, teaching double bass, piano, and various other musical disciplines in several schools and conservatories, including the Conservatory of Manresa, the Conservatory of Vic, the Arts en Viu Music School in Prat de Llobregat, and the Jesuïtes de Casp Music School. Additionally, she has served as a double bass instructor for the Youth Orchestra of Girona.

Moreover, she is an electric bassist specializing in rock, pop, and disco music, and currently plays in the female disco-pop band The She’s, founded by Nika Mills. She has performed with various rock bands, encompassing author rock, folk, hard rock, and metal, accompanying artists such as Michael Vescera, among others.

Born in Lima - Peru into a family of musicians, He is an artist for the renowned brands Vandoren París and Silverstein.

He has a wide musical spectrum: orchestral experience, chamber music, multi-instrumentalist and arranger.

Mr. Javier completed the undergraduate program in clarinet performance at the “National Conservatory of Music of Peru”, where he also received saxophone lessons. In 2013 he completed graduate studies and advanced training in clarinet at the “Conservatori Liceu de Barcelona” under the tutelage of Isaac Rodríguez. He also took courses on musical arrangements and Jazz ensemble with Sergi Vergés (2013 to 2015). For six years, he studied chamber music with the principal oboe of the “Mozarteum Orchester Salzburg”, Wolfgang Schlächter.

Winner of the “2023 Study and High Specialization Training Scholarship” awarded by the AIE to improve early music in historical clarinet with Lorenzo Coppola at the Escola Superior de Música de Catalunya (ESMUC).

He was the winner of the musical creation residency scholarship in Sarrebourg - France. Awarded by Le Couvent. He was selected to be part of “Les Jeunes Musiciens” of the “Conservatoire Itinerant - Chemins du Baroque” (cornetto and recorder), under the baton of Gabriel Garrido and with whom he toured France, Chile and Peru. He also took part in the recording of “Fiesta Andina”, a documentary produced by the record label K617 (2006 to 2009).

As a modern clarinetist, Eduardo is the winner of several competitions, including the “Scholarship for Musical Talent, Peru – 2002”, “Young Soloists Contest, Peru- 2005”, and “Young Soloists Contest- 2010”, organized by the “National Symphony Orchestra of Peru”. These awards led to public performances as a soloist with the “Youth Symphony Orchestra” and the “Symphony Orchestra of Peru”.

He currently serves as principal clarinet of the “Orquesta de la ópera de Sarriá”, “Salvat Ensemble”, and is a member of the “Arts Symphony Ensemble”. He has collaborated with orchestras such as the “National Symphony Orchestra of Peru” (bass clarinet - piccolo clarinet), “Terrassa 48” and “Orquestra de cambra de Granollers” as a saxophonist and clarinetist. In addition, he has been the woodwinds section coach of the Youth Orchestra of Peru.

Mr. Javier is regularly invited to chamber music festivals to give recitals with his ensemble “Veu i Vent”. As a member of the Peruvian clarinet quintet “775”, he was invited to the International Clarinet Festival in Nebraska - USA, organized by the “International Clarinet Association”, and to the V International Chamber Music Festival held in Loja-Ecuador.

Eduardo has earned extensive experience as a musical arranger. His arrangements have been premiered in the US, the Netherlands, London, Andorra, Spain, Ecuador,and Peru, including arrangements for many musicals produced by “Preludio” in Lima, Peru, in the span of 7 years.

As a music editor, he has collaborated with publishers such as “Filarmonika” (USA), Brotons&Mercadal, and for the "Teatros del Canal de Madrid" editing and restoring the Zarzuela "La Malquerida". He has also made a musical adaptation of the opera "Hansel and Gretel" by Humperdinck for wind quintet and piano, which was recently premiered in Andorra.

In addition, he has been invited to participate in numerous record productions. He combines musical activity with teaching.

Ksenia Milas is a violinist born in St. Petersburg who has been living in Italy for several years. Currently, she maintains an active concert schedule, performing in solo violin recitals and as a soloist in concerts across Italy, France, Germany, England, Ireland, Ukraine, Lithuania, Finland, Greece, Switzerland, China, Russia, Egypt, San Marino, and more.

Since 2010, she has been teaching at the International Academy of Imola (Honorary Director Maestro Vladimir Ashkenazi). After returning to teach in Florence in 2021, she was invited to Fiesole in 2022, particularly for her profound technical expertise and methodological-didactic skills.
In 2022, Ksenia became an official partner of iClassical Academy, a web platform featuring classical music lessons by over 70 maestros. She will be recording an exclusive collection of video lessons with the complete Six Sonatas by Ysaÿe, to be included in the Musical Jewels section. Other featured artists include L. Kavakos and M. Maisky.

In December 2021, her CD featuring Nicolò Paganini's 24 Caprices, Op. 1, and 4 Studies was released. Recorded in a single session with Paganini's violin "Sivori" in the violin room at Palazzo Tursi in Genoa, the CD received immediate acclaim with 5-star reviews from "Musica" and "Amadeus" magazines and the title "Supersonic" from Luxembourg's "Pizzicato" magazine. In March 2023, the CD "Oskolki" for Sony Music was released, featuring music by Lera Auerbach, Prokofiev, Piazzolla, and Respighi, with Gianna Fratta on piano.

In January 2022, Ksenia participated in the concert "AD MEMORIAM" dedicated to the heroes of the Dignity Revolution in Ukraine. The event, organized by the Ministry of Culture of Ukraine and endorsed by the Italian Embassy and the Italian Cultural Center, took place at the National Philharmonic of Ukraine with the National Symphony Orchestra of Ukraine conducted by Gianna Fratta. During the event, Respighi's Gregorian Concerto was performed, marking its first-ever performance in Ukraine.

For the "La Musica Unisce" project, she was awarded the "International Good Practices Award" by News Remind and the Office for Italy of the European Parliament; the "Excellence Award" from the Evento Donna Association endorsed by the European Parliament, the Ministry of Cultural Heritage, the Lazio Region, and the Municipality of Rome, and the "Magna Grecia Award" in Bari, Italy.

In 2017, she recorded the complete Solo Violin Sonatas, Op. 27, by E. Ysaÿe with Anima Records (Paris, France), a project supported by music critics Sandro Cappelletto (La Stampa) and Tully Potter (The Strad), who curated the introduction. Several composers have dedicated their works to Ksenia. Swedish composer J.Östlund dedicated a composition to her in January 2018 after hearing her play:
"Paganini Fantasia, a new work dedicated to Ksenia Milas." S. Delle Donne from Italy composed the “Fantasia Concertante” for two violins, which she performed for the first time with the violinist O. Semchuk. Furthermore, on Brahms' anniversary, D. Wonderland dedicated the classical-rock concerto titled 'Love Letters'.

Even earlier, in 1999, Russian violinist Saveliy Shalman wanted her involvement in the production of the film-lessons "I will be a Violinist," for which he handled production and direction. Ksenia collaborated on the project until 2007.
At the age of 20, she was admitted to the Maastricht Conservatory (Netherlands), where she graduated with honors in 2012 under the guidance of Maestro Boris Belkin. Since childhood, she has attended masterclasses with internationally renowned teachers, including Salvatore Accardo, Eduard Grach, Sergei Kravchenko, Oleksandr Semchuk, Jan Repko, Zakhar Bron, Pavel Vernikov, Michaela Martin, Krzysztof Wegrzyn.

Already in young age, she won various competitions: at just 9, she won the first prize at the International Competition in Athens; at 11, she won the first edition of the "New Names" Competition and the International Competition of the Youth Assembly of the Arts in Moscow; at 12, she was awarded the "High Virtuosity Prize" at the International Festival in Belarus; in 2006, she received the jury prize at the International "Tchaikovsky Homeland" Competition in Izhevsk, Russia.
At the age of 8, she made her solo debut with the State Philharmonic Orchestra of St. Petersburg, performing in the Mirror Hall of the Beloselsky-Belozersky Palace. Kultura Magazine wrote: "She captivated the audience not only with her charisma and surprising virtuosity but also with her extraordinary presence and artistic maturity."

Ksenia began playing the violin at the age of 4 in Volgograd (Russia) in 1993. The following year, she was admitted to the Special School of Music at the "Rimsky- Korsakov" Conservatory in St. Petersburg, where she joined Maestro Savely Shalman's class.
Ksenia has performed as a soloist with various conductors, including Vasily Petrenko (Russia-Norway), Lit Gregory (USA), Darrell Ang (Singapore), Anatoliy Ribalko (Russia), Ronald Masin (Germany), Marija Ramljak (Croatia), Marco Boni, Lorenzo Passerini, Giancarlo De Lorenzo, Pietro Borgonovo, Gianna Fratta, Gianluca Marciano, and others. She has also collaborated with numerous musicians, including Bruno Canino, Rudolf Koelman, Giovanni Puddu, Orfeo Mandozzi, Antonello Farulli, Leonid Gorokhov, Denis Shapovalov, Oleksandr Semchuk, Giovanni Gnocchi, Alberto Nosè, Anna Serova.
Ksenia Milas plays an 1840 Auguste Sebastien Philippe Bernardel "père" violin and Giovanni Lucchi's "Marte" bow.

Igor Petrushevski is one of the most successful violin teachers in Europe. His students are winners of many international violin competitions including Tibor Varga, Tchaikovsky, Indianapolis, Long-Thibaud, Paganini, Lipizer, Tokyo, Wieniawski, Heifetz, Joachim, Sion, Britten, Canetti, Enescu, Valsesia, and Khachaturian. Prof. Petrushevski’s students have performed with Maxim Vengerov, Christian Jarvi, Krzysztof Penderecki, Schlomo Mintz, Vladimir Jurowski, Giancarlo Guerrero and with orchestras such as: the Royal Philharmonic, the London Philharmonic, the Hamburg Philharmonic, the Vilnius State Philharmonic, the Transylvania State Philharmonic, the George Enescu Philharmonic, the Slovac Radio, the MDR Sinfonieorchester, the Zurich Symphony Orchestra, the Polish Radio Chamber Orchestra, the Youth State Orchestra of Armenia.

Prof. Petrushevski has made numerous television and radio performances. Over the last 20 years, Igor Petrushevski has given violin master classes and played in the major concert halls of UK, Italy, Austria, France, all the former Yugoslavia, Russia, North and South America, Korea and China. Some of his students are leading important orchestras in the USA, the UK, Russia and are playing in orchestras such as the Wiener Philharmoniker, Covent Garden Orchestra, the Royal Philharmonic Orchestra, etc. Many of Igor Petrushevski’s students also have prominent solo international careers and are holding teaching posts in major universities throughout the world.

Igor Petrushevski is professor at the Richard Wagner Konservatorium and honorary professor at the Yerevan State Conservatory. He started his violin teaching career at the Trinity College of Music after which Prof. Petrushevski worked at the Royal Academy of Music in London. He was the artistic director of the ‘Strings In London International Music Festival. Prof. Petrushevski has been a jury member of international competitions including the London Oratory International Violin Competition, the George Enescu International Violin Competition, the Aram Khachaturian International Violin Competition, the Tchaikovsky Competition for Young Musicians, and the Osaka International Music Competition. He played on A. Stradivari of 1699 for many years following Milan period j.B. Guadagnini and currently plays on L. Storioni.

Active as a concert pianist and conductor, Yossi Reshef has given solo concerts, recitals and concerto performances throughout Europe, the United states the Far East, India and Africa to outstanding reviews and audience enthusiasm. He performed in Britain, Denmark, Israel, Italy, Germany, Poland, Croatia, Spain, Bulgaria, Russia, South Africa, Azerbaijan, India, the Philippines, Taiwan, and a number of venues in the United States including Los Angeles, Boston, San Diego, Santa Fe, and Carnegie Hall in NY.

Yossi Reshef is the founder and artistic director of the Berlin International Piano Master Class which takes place yearly in Berlin. He is also a faculty member at the prestigious Tel-Hai international Piano Master Classes in Israel. A devoted pedagoge, Reshef lives in Berlin where he has a private studio, attracting students from europe and the far East to come and prepare for auditions and competitions. Reshef inspired hundreds of students in his public masterclasses. He has given master classes in such prestigious venues as the Gnessin Conservatory in Moscow, the Lodz Academy in Poland, the Baku Academy in Azerbaijan, the Zagreb Academy in Croatia, and in all the leading higher education music institutes of South Africa and Taiwan. Following his Doctorate degree, he taught as a Visiting Professor at the University of Puget Sound in Tacoma, Washington.

Born in Israel, Reshef studied with the legendary Pnina Salzman (herself a student of Alfred cortot and Arthur Rubinstein), he later moved to Los Angeles where he completed his doctorate degree with prof. Norman Krieger, serving as his assistant, as well as completing conducting studies with outstanding achievements. He previously studied wth Prof. Jonathan Zak at the Rubin Academy, Tel Aviv University. Reshef started his studies with Martha Even Shushan in his hometown Holon, Israel.

Jonathan Gotlibovich is one of the most prominent Cellists to emerge from Israel.
A student of Mr. Zvi Harrell and Mr. Zvi Plesser, Gotlibovich holds an active solo career as is often featured in chamber music concerts in Israel and abroad.

Mr. Gotlibovich is a member of Ensemble Meitar, after being Principal Cello of Tel-Aviv Soloists Ensemble with which he was featured as soloist numerous times as with most Israeli orchestras.
Gotlibovich founded the Cello class in the Barenboim-Saed School in Nazereth, and is involved in numerous educational projects in Israel and abroad. Currently, Gotlibovich is a faculty member of the Jerusalem Academy for Music and Dance.

Gotlibovich is invited to give master classes in Israel, Europe, China, USA, Canada and Mexico. Gotlibovich collaborates with world class musicians, such as Maxim Vengerov, Shlomo Mintz, Antje Weithaas and many others in different festivals and concerts around the world.
As a leading figure in the contemporary music world, Gotlibovich holds close contact with some of the greatest composers living today and premieres many solo works, chamber music works and concertos, some of which are dedicated to him.

Mr. Gotlibovich is also the director of a young composers program – Young CEME, and is also the musical director of a chamber music series of Keshet Eilon in Israel.
Mr. Gotlibovich was generously supported by the America-Israel Cultural Foundation for the duration of his studies.

Born 1965 in Jerusalem, Israel, Zvi Carmeli is internationally renowned as a violist , conductor and teacher. Zvi is a graduate of the Curtis Institute of Music and the former Principal Violist of the Netherlands Radio Philharmonic Orchestra. As a soloist he has appeared with orchestras such as the Israel Camerata Jerusalem, the European Community Orchestra, the Gorzow Philharmonic and Lodz Philharmonic in Poland, the Kuopio Philharmonic in Finland, as well as the Klaipeda chamber orchestra in Lithuania. He has performed in festivals such as the Emila Romagna and Brescia festivals in Italy, Prussia Cove and Ulverston festivals in England , the Israel Festival, and the Moab Festival in the USA.

As chamber musician he has appeared together with renowned artists worldwide such as Vadim Repin , Benjamin Schmid, Homero Francesch and the Fine Arts Quartet and was the founding member of the SoLaRe String Trio, winner of the Netherlands Impresaariat National Competition, touring throughout Europe, USA and Israel, including recording for national radio stations in Holland, Spain and the USA. Carmeli has recorded chamber music for many CD lables such as Ottavo, Divox, Ars Nova, Kontrapunkt and Berlin Edel Classics.

Carmeli regularly teaches masterclasses through out the world in institutions such as Chieti Classica Italy, Hong Kong Academy, Barenboim Said Akademie Berlin, Bard Music College USA, Tibilisi State Conservatory, and the Lenk summer academy in Switzerland.

As a conductor Zvi Carmeli was founder and Conductor of the Berlin Chamber Soloists, guest Professor Conductor of the Muenster Hochschule für Musik Symphony Orchestra, UDK Hochschule Youth Orchestra in Berlin, Collegium Musicum Orchestra Kopenhagen, Denmark with Ivry Gitlis as soloist, Soestenberg Festival Chamber Orchestra Holland with Julian Rachlin and Boris Kushnir as soloists, Savo Festival Orchestra Kuopio Finland and the Israel Netanya Kibbutz Orchestra, among others. He serves as jury member in music competitions and is a sought after master class lecturer in Europe.

The founder and Artistic Director of the "Bronislaw Huberman Program for Outstanding Young String Players" in Israel. Zvi currently teaches viola and chamber music as senior lecturer at the Jerusalem Academy of Music and Dance, where he also heads the chamber music department and conducts the academy chamber orchestra . Carmeli also teaches chamber music at the Jerusalem Music Centre and conducts its Young Israel Philharmonic Orchestra.

“in a word, superbly” [Fanfare Magazine - USA];
“masterfully interpretation” [The Clarinet - USA],
“admirable coherence, a whole warm, rich and very charming sound” [Journal of Music - Italy].

His artistic collaboration with Karl Leister, Enesco Quartet (Paris) and Giuliano Mazzoccante, with which it forms a stable DUO, is remarkable. Winner of over thirty prizes in important national and international soloist and chamber music competitions. As an artist, he has performed in concerts held in Europe, Far East and USA.

As a soloist, he has collaborated with various orchestras among which the Kiev RTV Festival Orchestra, Philharmonic Orchestra “George Enescu” of Bucarest, Orchestra Internazionale d’Italia, Orchestra Milano Classica, Orchestra of the Bologna Theater, Orquesta Sinfónica de Venezuela (Caracas), Mersin Opera and Ballet State Orchestra (Turkey), Kazakhstan State Academic Symphony Orchestra (Almaty), Portuguese Navy Band (Lisbon) and Kyiv Virtuosi Orchestra (Malta). Many composers have dedicated him works of chamber music and soloist.

Tinelli has recorded for Radio and TV in Italy, Romania, Germany, U.A.E., Albania, Venezuela and Kazakhstan and some CD with first world recordings released by Urania Records, Dad Records, Phoenix Classics dedicated to Saverio Mercadante, Sergio Calligaris, Raffaele Gervasio and Johannes Brahms awarded, this one, by discography critics. Camerata Tokyo (Japan) has released a CD in trio with Karl Leister and Giuliano Mazzoccante (piano) that has been praised by the international critics.

Moreover, Farelive (Italy) has released three CD’s with Tinelli, as conductor of the “Italian Red Cross Military Band”, one as conductor and soloist of the “Méditerranée Clarinet Ensemble” and one as conductor of “I Musici Pugliesi”. These three CD’s were awarded at the “Global Music Awards” 2016, 2017 and 2020 with silver medals and with stars of excellence on the Italian music magazine “Musica”. All recordings are available on the major streaming platforms (Spotify, Amazon Music, Google Play, iTunes e Deezer).

He’s currently Clarinet Professor in the Music Conservatory “N. Piccinni” of Bari (Italy). He also holds numerous master classes in Europe USA and Far East. He is additionally the Artistic Director of the International Clarinet Competition “Saverio Mercadante”. Antonio Tinelli is an official Buffet- Crampon Artist.

www.antoniotinelli.com

Oleksandr Semchuk began studying violin at 4 years of age with Maestro I. Pylatiuk. When only eight years old he started his brilliant career performing his first concert as a soloist with orchestra. Among his teachers are such violinists world renown as Bohodar Kotorovych, Yehudi Menuhin, Tibor Varga, Viktor Tretyakov and Alberto Lysy.

At an early age Semchuk won the prestigious and much coveted "Youth Assembly of Art" competition in Moscow, going on to win the "Mykola Lysenko International Competition" (Ukraine), and "Award City of Gubbio" (Italy) and many other international competitions.

Meanwhile, he embarked on a brilliant career that has brought him world – wide success, both as a soloist with orchestra and playing chamber music, collaborating with such internationally renowned musicians as B.Canino, R.Koelman, V.Sirenko, A.Lucchesini, O.Mandozzi, M.Brunello, V.Kozhukhar, K.Bogino, L.Gorokhov, M.Kugel, V.Mendelssohn, E.Baatarzhavyn, G.Mirabassi, M.Rysanov, M.Diadiura, O.Kogan, D.Cohen, B.Petrushansky, K.Karabitz, N.Eppinger, D.Shapovalov, A.Casellati, G.Fratta and many others.

Since 2002 collaborates with the Italian pianist Leonardo Zunica, performing the brightest programs of chamber music repertoire, including the first Italian performance of Olivier Messiaen Fantasy for violin and piano.

In recognition of Semchuk’s great contribution as founder and promoter of the cultural project Artists for the rebirth of Ukraine, The Ukrainian state awarded him with the title of Merited Artist of the Ukraine in 2002. Throughout the territory of the former Soviet Union, Oleksandr is the youngest artist to be awarded the title of Honoured Knight of the State.

Oleksandr Semchuk has been living in Italy for several years, where he has built up a busy teaching career, working at the School of Music of Fiesole and the Music Academy of Florence. In 2010 he was invited to coordinate the Department of Strings at the International Piano Academy "Incontri col Maestro" in Imola, where he currently teaches. His success as a professor of violin are evident in the multiple awards and prizes (over 60) won by his students in important international competitions over the years, These include the Oistrakh International Competition (Moscow), Brahms International Competition (Pordschach), Monaco Master's International Competition (Monaco), Kreisler International Competition (Vienna), to name but a few. His former students include leaders and members of major orchestras throughout Europe, as well as teachers of violin at Italian Conservatories. Regularly holds masterclasses at Royal College of Art (London), Paris Conservatory and and various Italian State Conservatories.
Oleksandr Semchuk often is member of juries of international violin and chamber music competitions.
Oleksandr Semchuk has made several recordings, and recorded more than seven hours of music as soloist in the "Golden Collection of the Ukraine", with contributions from the great solo repertoire including the Brahms and Sibelius concertos.

He plays a violin by Auguste Bernardel 1840 and uses the bow "White Lady" by Vera Navea.

As the Rhein-Neckar-Zeitung Heidelberger described, “Shijun Wang is a fascinating, serious and sensitive musician” As a solo pianist and orchestral soloist, Shijun Wang has performed in California, Pennsylvania, New York, Arizona, Oklahoma, Indiana, Ohio, Tennessee, Florida, Georgia, Utah, Texas, Michigan, Idaho, Connecticut, New Jersey, as well as Germany, France, Norway, Spain, Bulgaria, Poland, Israel, China, Mexico, South Korea, and Japan.

In his recent China tour, he gave master classes, lectures, and recitals in more than half of the major Chinese conservatories includes Shenyang Conservatory, Xi’an Conservatory, Sichuan Conservatory and Jilin College of Arts. He was appointed as visiting professor of Xi’an Conservatory where he would give concerts and master classes for one month each summer. He also teaches at Puigcerda Music Festival in Spain, East/West International Piano Festival in South Korea, and Lancaster International Music Festival in Pennsylvania in the summer.

Amidst the Covid-19 pandemic, when all music events were forced to shut down, Dr. Wang took the initiative to self-produce complete performances and tutorials of Chopin Etudes, sharing them for free on YouTube and other online platforms. His educational videos have garnered millions of views and have been instrumental in aiding both amateur and professional musicians.

His recent orchestral appearances include performances of Rachmaninoff's "Rhapsody on a Theme of Paganini" with the Lafayette Symphony, Beethoven's Piano Concerto No. 2 with the Tulsa Symphony Orchestra and the Evening Stars Orchestra, as well as performances with the Duxbury Music Festival Orchestra, Manhattan Chamber Orchestra, Music Academy of the West Orchestra, and Tulsa Signature Symphony Orchestra. Dr. Wang has received numerous national and international prizes for his piano performances, including the 65th Steinway Competition and the 8th Germany Ettlingen International Competition for Young Pianists. In 2008, he won fifth prize at the Hamamatsu Piano Academy in Japan, and in 2010, he won first prize and the audience prize in the Crescendo Piano Competition in the USA.

Professor Wang currently an Assistant Professor of Piano at Baylor University in Waco, Texas. He received his Bachelor of Music and Master of Music degrees from The Juilliard School studied with legendary pianists Oxana Yablonskaya and Joseph Kalichstein. He also completed his Doctoral of Musical Arts degree from the Eastman School of Music under the guidance of Nelita True. His musical mentors have also included Thomas Schumacher, Dan-Wen Wei, Alfred Brendel, Emanuel Ax, and Richard Goode.

Laia Martín, pianist interested in performance, research, management, and education, she has developed her artistic career and completed studies in various areas of music. She has completed a PhD in Music Performance with honours at the Aveiro University, Portugal, under the guidance of Luca Chiantore and with the thesis "Without distances: a performative proposal regarding the sonatas of Domenico Scarlatti transcribed by Enrique Granados".

She completed her Bachelor’s degree in piano at the Liceu Conservatory of Music in Barcelona with Stanislav Pochekin. She finished a Master in Musical Performance degree with honours at the Conservatory F. Venezze in Rovigo, Italy, with Massimiliano Mainolfi and Oxana Yablonskaya, and a Master in Music Research degree at the Valencia International University.

She performed her first recital for Jeunesses Musicales Spain. Since then, she has performed in several halls in Spain, as well as in Germany, Italy, France, Andorra, Portugal, Bulgaria, Greece and Israel, both as a soloist and in chamber music. She has also participated in conferences in Switzerland, Greece, Portugal, France, and Spain. She has published several articles on the sonatas of Domenico Scarlatti transcribed by Enrique Granados. She has recently published two CD for Naxos: "Catalan Cello Works" with cellist Dmitry Yablonsky and "Violin Catalan Works" with violinist Janna Gandelman.

Her specialization in artistic research after his doctoral studies has led her to develop as a performer such personal projects as "Tibles, tenores and flabiols: intermixing soundscapes in the Cerdanya piano suite by Déodat de Séverac" and to give seminars on this subject at centers such as the Ramat Gan Music Center (Israel), the Escuela Superior de Alto Rendimiento de Valencia (ESMAR) or the Conservatorio di Musica Arrigo Boito in Parma (Italy).

She is piano teacher at the Issi Fabra Music School in Puigcerdá and at the Conservatori de música dels Pirineus. She is music history teacher at the Universitat Oberta de Catalunya and music research techniques at the Escuela Superior de Alto Rendimiento de Valencia. She is a collaborator of the research group “Texting Scarlatti: composition, reception, performance” led by the Guildhall School of Music & Drama of London.

Since 2013 she is one of the directors of the Puigcerdá Music Festival and in 2022 she started the project Vespres Musicals de Santa Cecília de Bolvir with Janna Gandelman and Dmitry Yablonsky. Since 2019 she is the director of the Conference on Artistic Research in Music of the Pyrenees.

www.laiamartinpiano.com

Gonzalo Devesa (1989) Doctor Cum Laude in Art and Production by the Polytechnic University of Valencia. He began his training at the Unión Musical and at the Conservatoire of Benidorm, where he obtained the Extraordinary Prize. Later, he graduated from the Conservatoire of Valencia. Moreover, he holds two master’s degrees in education and in Artistic Teaching. Between 2018 and 2024 he was Professor of Oboe at the Conservatoire of Granada, having previously held the same position at the Conservatoire of Castile-La Mancha. Currently, he is Professor of chamber music at the Royal Conservatory of Madrid – Real Conservatorio Superior de Música de Madrid (RCSMM).

As a performer, he has been a member of the National Youth Orchestra of the Netherlands, the European Union Youth Wind Orchestra and The World Orchestra (JMWO/TWO), among others. He has also been a member of the Shen Yun Symphony Orchestra of New York, with which he toured around United States (Texas, Florida, Illinois, Louisiana, Indiana, Ohio, Tennessee, Maryland, South Carolina, Kentucky, Arkansas...), playing in the country's main venues such as the Chicago Opera House. Later, he was selected by the Orchestra do Norte in Oporto (Portugal), the Bankia Symphony Orchestra and, as Oboe Soloist, by the Cairo Symphony Orchestra (Egypt). In addition, he has collaborated with the Valencia Municipal Wind Orchestra, ADDA Simfònica, Malaga Philharmonic Orchestra, Andorra Opera, Palestine National Orchestra, Alicante Symphony Orchestra, Chamber Orchestra of the Valencian Community and Santa Cecilia Classical Orchestra of Madrid, with which he has performed concerts in the Spanish National Music Auditorium and the Teatro Real. He has also been invited as solo oboist at various International Festivals held in South Africa, Switzerland, Lebanon, Armenia, Italy and Jordan.

It is worth highlighting his first recording, recorded by ARIA classics (2021), for which he was interviewed on Radio Nacional de España (RTVE, 2022). And the criticism received by the newspaper El Mundo (2017) for his intervention as a soloist with the English horn, together with the pianist Joaquín Achucarro and ADDA symphonic: “a univocal whole fused with the orchestra that had, in the fluid sound of Gonzalo Devesa's English horn, the best dialoguing response.”

In the field of artistic research, he directs Final Degree Projects and Doctoral Theses. Among his recent publications, his reconstruction for oboe and string trio of the opera Una cosa rara by Vicente Martín y Soler. He is also a member of the Editorial Committee of the Yearbook of Philosophy of Music (Oviedo, Spain).